He was
full of tenderness;
She was very hard.
And as much as she tried to stay thus,
Simply, and with no good reason,
He took her into himself,
And set her down
In the softest, softest place.
She was very hard.
And as much as she tried to stay thus,
Simply, and with no good reason,
He took her into himself,
And set her down
In the softest, softest place.
-Translation from the Five Hebrew Love Songs, poetry by Hila
Plitmann
Eric Whitacre is the rock star of choir music. That’s what I
read and hear anyway. Certainly his long flowing locks, impressive
collaborations, and social media savvy make him more visible than most choral
music composers. And his concept of “virtual choirs” has put him front and
center in the TED Talk realm, garnering acclaim for bringing choral music to
the people, wherever they may be.
For me, I simply love his music. Don’t get me wrong, I think
his work is novel and has significant societal impact. I have had the
pleasure of singing a few of his pieces in my own chorus and have connected to
them in very emotional ways, so this is what I choose to focus on in this blog
post. The lyrics of his songs are often adapted from poetry (like from his wife
used in the Five Hebrew Love Songs – see above translation – or from ee
cummings in the City and the Sea) and have an ethereal quality that make you
just stop what you are doing and listen. You can hear this quality in the song,
Lux Aurumque, which happens to be the first Whitacre piece I sang. This also
happens to be one of the first virtual choir productions.
As a choral singer, his music is amazing to sing. First, he
is not afraid of dissonant chords, of which I am a fan (see “Hymn of Acxiom” in
my Vienna Teng post). Second, there are times in his songs when the music
compels you along and you can only jump in full steam. It happens in Kala
Kalla, one of the Five Hebrew Songs, right about the 4:33 mark in the video
below. Never before has singing “la la la la la la la la” been so invigorating.
(If you back it up to 3:33 the look on the kids’ faces perfectly sum up the
feeling of singing this piece). Third, he is not afraid to use unusual and
innovative techniques in his music, such as finger snapping in Cloudburst to
simulate the sound of rain.
Rock star or not, Eric Whitacre has certainly left his mark
on music. His innovation and modern interpretation of classical sounds makes his
music accessible to more people in more places, which is really wonderful. At
the heart of it, he loves music and loves experimenting with music. It’s that
excitement and curiosity that drive the songs and make them a pleasure to sing.
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